Results tagged “H.264” from 6,000 RPM's

Handbrake is a fantastic application for converting standard definition DVD's to another format. In my case, I use it to encode to AppleTV (H.264/AAC/AC3). I've followed the development of Handbrake for some time now, but until recently, it's been too buggy or incomplete for me to use. That all changed when version 0.9.2 was released.

Using Handbrake, I can decrypt, rip and convert to MPEG-4 in one simple step. One of my test videos for encoding applications has been the TV series Roswell, which aired on both the WB and Fox network about eight years ago. One of the reasons I use this as a test is that the content was originally shot on film (23.976 fps) and was telecined resulting in 29.97 frames per second. The shows typically loose cadence quite frequently resulting in a good test for IVTC filters. There are always a lot of both horizontal and vertical movement as well as dark (or black) scenes which can be quite difficult for the encoder to process.

After many tests, I'm posting what I feel like are my ultimate settings. Some people use handbrake to make smaller, transportable files. Others use it for conversion to mobile devices. I use it with the intention of playing back an exact (or very close representative) copy of my DVD's on my Apple TV device. The only things I cared about when creating these presets were:

• The content was standards-based MP4 (H.264, AAC)
• Able to play back on Apple TV
• Introduced little or no visual artifacts
  
• Provided a Dolby Digital/5.1 surround track

Currently Handbrake does not have a method to import or export presents. So for the time being, you'll have to locate the UserPresets file (~/Library/Application Support/HandBrake/UserPresets.plist on a Mac) and add the contents of the download after the last </dict> in the file. You can download my custom preset here.

In the era of YouTube and sub $1000 pro-sumer cameras, the need for video encoding tools is ever increasing. By in-large, the demand for such tools is no longer a job for the professional. Today, literally hundreds of encoding tools exist. Googling "Video Encoding Tools" yields just under 45,000 results. So how do you know which tool to use?

Today, I'm reviewing a product from Elecard, a little known Russian company. The product, Converter Studio 2.0, is the latest version of their not-so-popular-but-should-be encoding tool.

Converter Studio comes in four flavors depending on the features required.

• Converter Studio (consumer product)
• Converter Studio AVC HD Edition (consumer product)
• Converter Studio Pro (professional standard-definition product)
• Converter Studio ProHD (professional high-definition product)

Most consumers, amateurs and semi-pro encoders will find the features in the first product (Converter Studio) to their liking. My first complaint however is in the names. I wish software companies would standardize on a max of 2-3 versions of a single product. For example, Converter Studio actually has more features, including HD, than the AVC HD edition. The differences in the Professional product offerings is quite obvious; high-def vs. standard-def.

The Interface

Elecard has re-written the entire UI from scratch. This is a huge improvement from the previous 1.2 product. The interface is clean, well-organized and very intuitive. Elecard has done a good job creating an interface that is equally usable by professionals and beginners. It's Apple-ish styled interface reminds me of Final Cut Studio and Apple Compressor, but far simpler.

The Preview Window

As you would expect, the preview window displays the contents of the original source material being encoded. One of the things that I've always liked about the QuickTime player is that you can use the left and right arrow keys on your keyboard to advance the video frame by frame. So I was thrilled when I tried this in Converter Studio and it worked.

Profiles

Converter Studio comes with an assortment of pre-defined profiles for common applications and devices including Blu-ray Disk, DVD, Sony PSP and Apple iPod. Users can also create their own profiles either from scratch or by using one of the included profiles as a template. Unlike most encoding applications, users cannot overwrite or delete predefined profiles. This is a great feature for the beginner who is just starting to learn the interface. Creating profiles is just as impressive. The enhanced Profiles window shows all available profiles and a high-level overview of what specs make up the profile. This not only is an improvement over previous versions, but surpasses the usability of some of the more known encoding applications like Sorenson Squeeze. Likewise, the Task Parameters window shows all of the details about the current profile as well as the content being encoded.

 

The Main (Concept) Attraction

Like it's predecessor, Converter Studio 2.0 uses the most advanced H.264 implementation in existence. MainConcept supplies among other things, the multiplexer and the encoding engines. A household name among video professionals, MainConcept is consistently winning awards for its superior picture quality. The purpose of this article is to highlight the features of Converter Studio, so I won't get geeky with the specifics of the actual codec. Just know that it kicks some serious ass.

Direct from DVD

Finally, I can now rip directly from a DVD into the multiple formats that I require. Although other applications are available that do this, like Handbrake, no other application gives you a better balance of features, ease of use, and output quality than Converter Studio. Previously I would use DVD Decrypter to rip the DVD, store it as a VOB, Remux it to an MPEG-2 Program Stream, and convert it using Converter Studio as an MPEG-4. Version 2.0 automates a lot of this process and saves drive space because I no longer have to store the VOB/MPEG-2. I've tried this feature on multiple unprotected DVD's and it works flawlessly.

Interlacing is Evil

To quote Alex Lindsey from the Pixel Corps, 'Interlacing is Evil'. This statement is so true. However, a lot of the made-for-TV productions available on DVD are either interlaced or telecined. So it's good to know that Converter Studio has the best deinterlace and inverse-telecine filters I've seen. The inverse-telecine filter was extremely impressive as it automatically determined and adjusted for the various pull-down methods. I've tried to inverse-telecine content using Sorenson Squeeze, Apple Compressor and a boat load of open source tools with moderate to awful results. Converter Studio on the other hand has yet to fail me. In fact, every non-progressive title I've thrown at it has worked - flawlessly! This alone is worth the price of admission.

Is Converter Studio For You?

Converter Studio is ideal for anyone looking for an inexpensive ($240 USD), next generation encoding solution. It's perfect for both beginners and professionals who have existing content who want to repurpose it for use on HD-DVD, Blu-ray, DVD, portable devices, media center appliances or for online distribution. It's an ideal solution for someone who just wants a solution that works, without having to cobble together a lot of open source tools or listen to excuses from commercial vendors as to why their product doesn't work as advertised. Although there are plenty of encoding tools, many are free, this is one application that you SHOULD consider buying.

On Monday, Adobe together with MainConcept announced details on an update to Adobe's Flash Player which will include support for H.264 (aka MPEG-4 Part 10, Advanced Video Codec, AVC). Tinic Uro, a Adobe engineer, provides details on his blog. Why is this important and how will this effect users? H.264 one of three video standards that are supported in HD-DVD and Blu-ray Disk. MPEG-2 and VC-1 are the other two standards. H.264 provides the same picture quality as MPEG-2 at less than half the bitrate. Moreover, because of it's scalable design, H.264 content is playable on anything from the smallest portable devices to the largest high-definition screens. The first major commercial media player to support H.264 was Apple's QuickTime Player. Content on the iTunes Store, and Apple's movie trailers are all encoded using H.264. The codec is supported by a number of devices including iPod, iPhone, Sony Playstation Portable and several mobile phones. Until now however, playback on a PC was limited to QuickTime and a number of lesser known players like VLC. The inclusion of H.264 into the latest Flash players due later this year is significant because it will suddenly improve a users overall video experience on sites such as YouTube which use Flash to deliver video. As a Google company, YouTube has been offering H.264 versions of it's content for several months now. The result will be less bandwidth, greater picture quality and with the inclusion of H.264 into Adobe AIR, a full-blown standalone player capable of squashing the now dominate Windows Media Player is inevitable. The Motion Picture Experts Group (MPEG) is responsible for licensing of all the MPEG technologies including H.264. As an open industry standard, H.264 content should be playable on any number of devices. And this is where Adobe is making a terrible mistake. Most websites, YouTube included, use a technique known as progressive downloading to stream content from the servers to the client. This technique uses HTTP and therefore is quite limited in what types of interactions can take place between the server and client. Content that is progressively streamed must first be downloaded to the client before it can be played. There are techniques that provide pseudo-streaming using HTTP, but still, interaction is limited to the HTTP protocol. Real Time Streaming Protocol (RTSP) was developed in 1998 by the Internet Engineering Task Force (IETF) to overcome many of the shortcomings of using HTTP for streaming and to provide a open, standards-based way to stream content from a server to a client. The benefits of using RTSP are numerous and include the ability for a client to request a start time of a audio or video file and the ability for the server to monitor the available bandwidth of the client in real time. According to Tinic Uro's blog, Adobe will not be implementing RTSP in it's Flash player. Rather, they will be streaming H.264 (and FLV for that matter) via their own proprietary protocol, RTMP. This is quite unfortunate because even though H.264 is an industry standard, in order to benefit from true streaming technology, you'll have to use Adobe's proprietary Flash Media Server which implements RTMP. This is bad news for everyone. Because RTSP (and RTMP) implements client/server interaction, bandwidth could be drastically reduced. Imagine YouTube, or any other video sharing site, having chapters or sections of a video that could be played without having to start at the beginning or having to wait for the video to progressively download. Imagine being able to click anywhere on a videos timeline and have that video start playing , instantaneously. This is possible with a true streaming solution, but with Flash it will only be possible with Flash Media Server. Vendor lock-in seems to be the game Adobe is willing to play. To me, this is completely outrageous and I implore Adobe to reconsider this decision. I understand that Adobe is a business and must make a profit. But the decision to not support RTSP hurts education, non-profits and small business, most of whom could not afford the high price tag of Flash Media Server in the first place. By contrast, a number of open source RTSP server implementations exist which are free of charge, including Darwin Streaming Server from Apple. If Flash supported RTSP, I believe the Internet would spawn a new generation of video sites, with new functionality and even greater interactivity. Think of a JumpCut, YouTube, Digg and Pownce fusion. This process alone would help Adobe sell users on their AIR and Flex platform because of the increased interactivity. With Adobe's decision, it's unfortunate that innovation in the online video arena will crawl along at it's current rate.